Computers: Past, Present And Future :: Information Technology

I have been using computers for as long as I can remember, whether it is for entertainment use or work use, computers are part of our everyday lives. They have an effect on almost everything you do. When you buy groceries at a supermarket, a computer is uesed with laser and barcode technology to scan the price of each item and present a total. Barcoding items (clothes, food and books ) requires a computer to generate the barcode labels and maintain the inventory. Most televison advertisiments and many films use graphics produced by a computer. In hospitals, bedide terminals connected to the hospital's main computer allow doctors to typw in orders for blood tests and to schedule operations. Banks use computers to lool after their customers' money. In libraries and bookshops, computers can help to find the book you want as quikly as possible. This has not always been the case though; computers did not always exist, and are continuously changing to this day. I think one group said it best,† Companies promote it for their employees. Parents demand it for their children. Those who have it believe they have a competitive edge. Those who don't have it seek it out. "It" is a computer. We are rapidly becoming a "computer society" Until recently computers were found only in environmentally controlled rooms behind locked doors. Only computer professionals dared enter these secured premises. In contrast today computers are found in millions of homes and just about every office. In fact there is a computer for one in every eight people in the world. Eventually all of us will have at least one computer and will use it every day for work and leisure.† -EYAL POLAD, YARON TWENA, DORON FREIBERG, and GILAT ELIZOV. Role of Computers in the Past â€Å"There is no reason anyone would want a computer in their home.† –Ken Olson, president, chairman and founder of Digital Equipment Corp., 1977 First Generation Almost everything invented or created, has one specific person who has been credited with their invention or creation, but this is not so with the computer. Many people throughout history have added their part to the computer. This could include programs to help the computer run better or faster, some created different kinds of computers, but either way they contributed to the computer we know today. The first â€Å"computer† was developed in 1936 by Konrad Zuse and was named Z1.

Gillian Clarke Essay

Before even reading â€Å"Miracle on St David’s Day†, I knew that something very special was going to happen from the word in the title â€Å"Miracle†. Clarke’s use of this word suggests that an amazing event is going to occur and that the poem is therefore going to be emotional and poignant. Gillian Clarke uses the first verse of the poem to create a pastoral idyll due to the use of personification-â€Å"An afternoon yellow and open mouthed with daffodils†. This conjures a happy and warm image of daffodils with their trumpets open wide, laughing in the sunlight, and it successfully personifies the flowers. Clarke also places people in the description to make it seem even more vivid in our minds-â€Å"the rumps of gardeners between nursery shrubs†. The line, â€Å"country house, guests strolling† pulls together a vivid image of a beautiful, opening scene in the reader’s mind. Clarke also introduces the importance of nature right at the beginning of the poem in this first verse. lAt the start of the second verse, Clarke dramatically dispels the pastoral idyllic that she created in the first verse. â€Å"I am reading poetry to the insane† is a blunt line, completely in contrast to the last verse as it is so insensitive. As readers, we instantly realise the harsh reality of the situation that she is in fact in a mental institution. Clarke’s dispelling of the original image is effective because it catches the reader’s attention immediately as it is a completely unexpected twist. It also makes the poem poignant because it makes the reader’s realise that there is never a perfect place and that there is always suffering around. Clarke goes on in this verse to describe some of the patients around her and the length of their mental disorders-â€Å"An old woman interrupting offers as many buckets of coal as I need. Clarke describes the poignant image of a schizophrenic, beautiful boy absorbed in her poetry making us realise that her poetry may be powerful for these people. After verse two, Clarke introduces verse three by stating â€Å"on a good day, they tell me later† to show how the split between a verse is a like the dramatic split personality of a schizophrenic. In verse three, Clarke goes into more detail about her moving surroundings to build up a vivid idea of the situation in the reader’s mind. She describes ow the sun causes shadows of window bars into the room and how a woman is sitting in these shadows as if she is in a cage. â€Å"In a cage of first March sun a woman sits†. Clarke repeats the word not, â€Å"not listening, not seeing, not feeling† to result in the woman appearing to be trapped inside herself and entirely vacant. Finally in this verse, Clarke writes, â€Å"a big, big mild, man is tenderly led to his chair†. The use of the adverb â€Å"tenderly† makes us understand just how much care and attention these people need. Clarke continues with the poem’s tone of compassion in verse four, by the slow reading caused by several instances of pauses in the line due to commas such as â€Å"†¦ hands on his knees, he rocks†¦ â€Å". â€Å"I read to the big, dumb, labouring man as he rocks† also brings about the sad sense that although this man seems self-sufficient and big on the exterior he is mild and insecure on the inside and in the mind. Finally Clarke uses an oxymoron, â€Å"I read to their presences, absences† to show how although they are physically in the room, some of their minds aren’t really there at all. In verse five, Clarke’s writing makes everything suddenly change. The slow and thoughtful pace of the poem ends dramatically in a similar way that Clarke destroyed the pastoral idyllic after the first verse. Gillian Clarke’s use of alliteration also strongly suggests that something special is about to happen, â€Å"He is suddenly standing silently, huge and mild but I feel afraid. † Clarke then cleverly uses two similes to portray the moment before the man speaks, â€Å"Like slow movement of spring water or the first bird of the year in the breaking darkness†. These similes are closely linked to new life spring which is convenient because the poem is set on the first day of spring. We also grasp from Clarke’s use of similes that the man is going to do something new. This is a significant and poignant moment in the poem because the man is so well-built and huge yet what he is about to do is something really big and special for everybody in the room and the reader, â€Å"the labourer’s voice recites ‘The Daffodils’† The reaction to this man’s speech is shock and no one is able to speak. The nurses are speechless and prepared for violence from the man but even they freeze. The patients, some of which are seriously mentally ill also suddenly listen, â€Å"the patients seem to listen†. It is effective and poignant, how Gillian Clarke then personifies the daffodils to match the characters and mood of the room. She expresses that even nature outside can react at this incredible moment. The hyperbole that she uses, â€Å"a thousand, ten thousand† is an excerpt from the Wordsworth poem that the man is reciting. Clarke successfully employs this hyperbole to exaggerate the number of daffodils who stop to observe to the man breaking free of speech and his life. I think that the seventh stanza is the most heart-breaking stanza, especially â€Å"Since the dumbness of misery fell†; because that implies that the man was once a happy child and only stopped talking and became miserable when something tore his life apart. This is poignant because it makes us imagine tragic events that could have stopped this man from speaking and that it really shows the power and impact that poetry can have. I think â€Å"the daffodils are flame† is a very effective and clever way of Clarke to finish the poem because it is ending with the daffodils where it first started. The way that nature outside corresponds to the event in the room is truly miraculous. In verse six Clarke personifies the daffodils as â€Å"still as wax† whilst the man is reciting and the daffodils are then â€Å"flame† in the last verse during the man’s applaud (we can see a fiery theme). The poem is so poignant because of the way Clarke creates successful images and personification so that we can feel we are in the room at the time of the miracle. The pathetic fallacy at the end leaves reader’s reflective and astounded by the description in poetry of such an amazing account.

Definition and Examples of Doublets in English

In English grammar and morphology, doublets are two distinct words derived from the same source but by different routes of transmission, such as poison and potion (both from the Latin potio, a drink). Also known as  lexical doublets and  etymological twins.  When the two words are used together in a phrase  they are called  coupled synonyms or  binomial expressions. Three words of this kind are called triplets: e.g., place, plaza, and piazza (all from the Latin platea, a broad street). Examples and Observations English has many doublets from Latin sources. Usually, the earlier word came from Norman French and the later one came from central French . . . or directly from Latin. Occasionally we have three words, or a triplet, from the same source, as in cattle (from Norman French), chattel (from central French), and capital, all derived from the Latin capitalis, meaning of the head. Another example is hostel (from Old French), hospital (from Latin), and hotel (from modern French), all derived from the Latin hospitale.  Ã‚   (Katherine Barber, Six Words You Never Knew Had Something to Do With Pigs. Penguin, 2007)It is no coincidence that the basic meaning of adamant was diamond. The word diamond is a doublet of adamant, the two words having come ultimately from the same Greek source, adamantos.The present-day adjective, meaning unyielding, inflexible, usually in the phrase to be adamant, is first recorded in the 1930s. It was apparently an extended use of such earlier phrases as an adamant h eart (1677), meaning a heart of stone and adamant walls (1878) stone walls.  (Sol Steinmetz, Semantic Antics. Random House, 2008) Cadet, Caddie, Cad In Medieval Gascon French, a capdet was a little chief, little head, from the Late Latin capitellus, a diminutive form of Latin caput head. The term was originally applied specifically to a younger son of a nobleman, serving as a military officer at the French court, . . .. The term passed into Standard French in this Gascon sense, but later was generalized to mean younger (son, brother).In the 17th century, French cadet passed into English, which reworked the French meanings and, in the process, created the doublet form caddie. During the 17th and 18th centuries cadet was used to mean junior military officer, while caddie meant military trainee. The 18th century also saw the creation of the abbreviated form cad, which seems to have had a variety of senses, all of them suggesting assistant status: assistant to a coach-driver, wagoners helper, bricklayers mate, and the like.(L. G. Heller et al., The Private Lives of English Words. Taylor, 1984) Differences in Meaning and Form Doublets vary in closeness of meaning as well as form: guarantee/warranty are fairly close in form and have almost the same meaning; abbreviate/abridge are distant in form but close in meaning (though they serve distinct ends); costume/custom are fairly close in form but distant in meaning, but both relate to human activities; ditto/dictum share only di and t and a common reference to language; entire/integer are so far apart that their shared origin is of antiquarian interest only. (Tom McArthur, The Oxford Companion to the English Language. Oxford University Press, 1992) Doublets in Legal Language [David] Mellinkoff (1963: 121-2) indicates that many . . . legal terms appear in company--they are routinely used in sequences of two or three (doublets are also known as binomial expressions and binomials). . . . Everyday words can be transformed into legal formulae in this way. Melinkoff also points out that many doublets and triplets combine words of Old English/Germanic (OE), Latin and Norman French origins. Examples of doublets of sound mind (OE) and memory (L)give (OE) devise (F) and bequeath (OE)will (OE) and testament (F/L)goods (OE) and chattles (F)final (F) and conclusive (L)fit (OE) and proper (F)new (OE) and novel (F)save (F) and except (L)peace (F) and quiet (L)These expressions are mostly centuries old, and some date from a time when it was advisable to use words of various origins either to increase intelligibility for people from different language backgrounds, or more probably it was intended to encompass previous legal usage or legal documents from both early English and Norman French.  (John Gibbon, Forensic Linguistics: An Introduction to Language in the Justice System. Blackwell, 2003)The non-exhaustive lists below present a selection of doublets and triplets still commonly found in legal documents:Doublets:aid and abet, all and sundry, attached and annexed, ask and to answer, deem and consider, each and all, fit and proper, have and hold, legal and valid, true and correct, totally null a nd void, peace and quiet, son and heir, terms and conditions, last will and testamentTriplets:cancel, annul, and set aside / ordered, adjudged, and decreed / signed, sealed, and delivered(Mia Ingels,  Legal English Communication Skills. Acco, 2006) Morphological Doublets [M]orphological doublets (rival forms) . . . are pairs of synonymous complex words which share the same base but involve distinct formatives, e.g. two different affixes (cf., for instance, the existence of attested doublets in -ness and -ity: prescriptiveness/prescriptivity, etc.). One may predict that this sort of formal fluctuation is not likely to persist for a long time; usually, one of the rival forms eventually takes over and becomes established (thus strengthening the derivational pattern it represents) while the other variant sinks into oblivion (or they acquire specialized meanings, as in historic / historical, economic / economical). (Bogdan Szymanek, The Latest Trends in English Word-Formation. Handbook of Word-Formation, ed. by Pavol Ã…  tekauer and Rochelle Lieber. Springer, 2005) Pronunciation: DUB-lit EtymologyFrom Latin duplus, two-fold